Conrad Atkinson's 1999 Bluecoat exhibition, Mining Culture, critiqued the use of land mines through disarmingly beautiful ceramics, which were also exhibited in subtle interventions at the Walker Art Gallery in the first Liverpool Biennial.
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Conrad Atkinson's 1999 Bluecoat exhibition, Mining Culture, critiqued the use of land mines through disarmingly beautiful ceramics, which were also exhibited in subtle interventions at the Walker Art Gallery in the first Liverpool Biennial.
