A postcard from a Bluecoat visitor, dated 1934, recently came to light, describing a “rather small and uninteresting” exhibition at the venue, except for the work of Roderick Bisson, who was a self-taught, Modernist-inclined young artist, with a studio in
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A postcard from a Bluecoat visitor, dated 1934, recently came to light, describing a “rather small and uninteresting” exhibition at the venue, except for the work of Roderick Bisson, who was a self-taught, Modernist-inclined young artist, with a studio in
